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64 lines
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<title>Blue Letter Bible: Text Commentaries</title>
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Title = 'The Book of Job';
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<p id="Chapter3" align="center">Commentary by A. R. FAUSSET<br>CHAPTER 3
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<p id="Job3_1">THE POEM OR DEBATE ITSELF (<a onclick="return mV('Job',3,'2-');">Job 3:2-42:6</a>).
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<br>FIRST SERIES IN IT (<a onclick="return mV('Job',3,'1-');">Job 3:1-14:22</a>).
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<br>JOB FIRST (<a onclick="return mV('Job',3,'1-26');">Job 3:1-26</a>).
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<p><a onclick="return mV('Job',3,'1-19');">Job 3:1-19</a>. JOB CURSES THE DAY OF HIS BIRTH AND WISHES FOR DEATH.
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<p><b>1. opened his mouth</b>—The Orientals speak seldom, and then sententiously; hence this formula expressing deliberation and gravity (<a onclick="return mV('Psa',78,2);">Psa 78:2</a>). He formally began.
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<br><br><b>cursed his day</b>—the strict <i>Hebrew</i> word for "cursing:" not the same as in <a onclick="return mV('Job',1,5);">Job 1:5</a>. Job cursed his birthday, but not his God.
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<p id="Job3_2"><b>2. spake</b>—<i>Hebrew,</i> "answered," that is, not to any actual question that preceded, but to the question virtually involved in the case. His outburst is singularly wild and bold (<a onclick="return mV('Jer',20,14);">Jer 20:14</a>). To desire to die so as to be free from sin is a mark of grace; to desire to die so as to escape troubles is a mark of corruption. He was ill-fitted to die who was so unwilling to live. But his trials were greater, and his light less, than ours.
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<p id="Job3_3"><b>3. the night <i>in which</i></b>—rather "the night which said." The words in italics are not in the <i>Hebrew.</i> Night is personified and poetically made to speak. So in <a onclick="return mV('Job',3,7);">Job 3:7</a>, and in <a onclick="return mV('Psa',19,2);">Psa 19:2</a>. The birth of a male in the East is a matter of joy; often not so of a female.
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<p id="Job3_4"><b>4. let not God regard it</b>—rather, more poetically, "seek it out." "Let not God stoop from His bright throne to raise it up from its dark hiding-place." The curse on the <i>day</i> in <a onclick="return mV('Job',3,3);">Job 3:3</a>, is amplified in <a onclick="return mV('Job',3,4,5);">Job 3:4-5</a>; that on the <i>night,</i> in <a onclick="return mV('Job',3,'6-10');">Job 3:6-10</a>.
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<p id="Job3_5"><b>5. Let...the shadow of death</b>—("deepest darkness," <a onclick="return mV('Isa',9,2);">Isa 9:2</a>).
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<br><br><b>stain it</b>—This is a later sense of the verb [GESENIUS]; better the old and more poetic idea, "Let darkness (the ancient night of chaotic gloom) resume its rights over light (<a onclick="return mV('Gen',1,2);">Gen 1:2</a>), and claim that day as its own."
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<br><br><b>a cloud</b>—collectively, a gathered mass of dark clouds.
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<br><br><b>the blackness of the day terrify it</b>—literally, "the obscurations"; whatever darkens the day [GESENIUS]. The verb in <i>Hebrew</i> expresses sudden terrifying. May it be suddenly affrighted at its own darkness. UMBREIT explains it as "magical incantations that darken the day," forming the climax to the previous clauses; <a onclick="return mV('Job',3,8);">Job 3:8</a> speaks of "cursers of the day" similarly. But the former view is simpler. Others refer it to the poisonous simoom wind.
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<p id="Job3_6"><b>6. seize upon it</b>—as its prey, that is, utterly dissolve it.
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<br><br><b>joined unto the days of the year</b>—rather, by poetic personification, "Let it not <i>rejoice</i> in the circle of days and nights and months, which form the circle of years."
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<p id="Job3_7"><b>7. solitary</b>—rather, "unfruitful." "Would that it had not <i>given birth</i> to me."
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<p id="Job3_8"><b>8. them...curse the day</b>—If "mourning" be the right rendering in the latter clause of this verse, these words refer to the hired mourners of the dead (<a onclick="return mV('Jer',9,17);">Jer 9:17</a>). But the <i>Hebrew</i> for "mourning" elsewhere always denotes an animal, whether it be the crocodile or some huge serpent (<a onclick="return mV('Isa',27,1);">Isa 27:1</a>), such as is meant by "leviathan." Therefore, the expression, "cursers of day," refers to magicians, who were believed to be able by charms to make a day one of evil omen. (So Balaam, <a onclick="return mV('Num',22,5);">Num 22:5</a>). This accords with UMBREIT'S view (<a onclick="return mV('Job',3,7);">Job 3:7</a>); or to the Ethiopians and Atlantes, who "used to curse the sun at his rising for burning up them and their country" [HERODOTUS]. Necromancers claimed power to control or rouse wild beasts at will, as do the Indian serpent-charmers of our day (<a onclick="return mV('Psa',58,5);">Psa 58:5</a>). Job does not say they had the power they claimed; but, supposing they had, may they curse the day. SCHUTTENS renders it by supplying words as follows:—Let those that are ready <i>for anything, call it</i> (the day) the raiser up of leviathan, that is, of a host of evils.
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<p id="Job3_9"><b>9. dawning of the day</b>—literally, "eyelashes of morning." The Arab poets call the sun the eye of day. His early rays, therefore, breaking forth before sunrise, are the opening eyelids or eyelashes of morning.
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<p id="Job3_12"><b>12. Why did the knees prevent me?</b>—<i>Old</i> English for "anticipate my wants." The reference is to the solemn recognition of a new-born child by the father, who used to place it on his knees as his own, whom he was bound to rear (<a onclick="return mV('Gen',30,3);">Gen 30:3</a>; <a onclick="return mV('Gen',50,3);">50:23</a>; <a onclick="return mV('Isa',66,12);">Isa 66:12</a>).
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<p id="Job3_13"><b>13. lain...quiet...slept</b>—a gradation. I should not only have <i>lain,</i> but been <i>quiet,</i> and not only <i>been quiet,</i> but <i>slept.</i> Death in Scripture is called "sleep" (<a onclick="return mV('Psa',13,3);">Psa 13:3</a>); especially in the New Testament, where the resurrection-awakening is more clearly set forth (<a onclick="return mV('1Cr',15,51);">1Cr 15:51</a>; <a onclick="return mV('1Th',4,14);">1Th 4:14</a>; <a onclick="return mV('1Th',5,10);">5:10</a>).
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<p id="Job3_14"><b>14. With kings...which built desolate places for themselves</b>—who built up for themselves what proved to be (not palaces, but) ruins! The wounded spirit of Job, once a great emir himself, sick of the vain struggles of mortal great men, after grandeur, contemplates the palaces of kings, now desolate heaps of ruins. His regarding the repose of death the most desirable end of the great ones of earth, wearied with heaping up perishable treasures, marks the irony that breaks out from the black clouds of melancholy [UMBREIT]. The "for themselves" marks their selfishness. MICHAELIS explains it weakly of mausoleums, such as are found still, of stupendous proportions, in the ruins of Petra of Idumea.
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<p id="Job3_15"><b>15. filled their houses with silver</b>—Some take this to refer to the treasures which the ancients used to bury with their dead. But see <a onclick="return mV('Job',3,26);">Job 3:26</a>.
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<p id="Job3_16"><b>16. untimely birth</b>— (<a onclick="return mV('Psa',58,8);">Psa 58:8</a>); preferable to the life of the restless miser (<a onclick="return mV('Ecc',6,'3-5');">Ecc 6:3-5</a>).
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<p id="Job3_17"><b>17. the wicked</b>—the original meaning, "those ever restless," "full of desires" (<a onclick="return mV('Isa',57,20,21);">Isa 57:20-21</a>).
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<br><br><b>the weary</b>—literally, "those whose strength is wearied out" (<a onclick="return mV('Rev',14,13);">Rev 14:13</a>).
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<p id="Job3_18"><b>18. There the prisoners rest</b>—from their chains.
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<p id="Job3_19"><b>19. servant</b>—The slave is there manumitted from slavery.
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<p id="Job3_20"><a onclick="return mV('Job',3,'20-26');">Job 3:20-26</a>. HE COMPLAINS OF LIFE BECAUSE OF HIS ANGUISH.
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<p><b>20. Wherefore giveth he light</b>—namely, God; often omitted reverentially (<a onclick="return mV('Job',24,23);">Job 24:23</a>; <a onclick="return mV('Ecc',9,9);">Ecc 9:9</a>). Light, that is, life. The joyful light ill suits the mourners. The grave is most in unison with their feelings.
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<p id="Job3_23"><b>23. whose way is hid</b>—The picture of Job is drawn from a wanderer who has lost his way, and who is hedged in, so as to have no exit of escape (<a onclick="return mV('Hsa',2,6);">Hsa 2:6</a>; <a onclick="return mV('Lam',3,7,9);">Lam 3:7, 9</a>).
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<p id="Job3_24"><b>24. my sighing cometh before I eat</b>—that is, prevents my eating [UMBREIT]; or, conscious that the effort to eat brought on the disease, Job must sigh before eating [ROSENMULLER]; or, sighing takes the place of good (<a onclick="return mV('Psa',42,3);">Psa 42:3</a>) [GOOD]. But the first explanation accords best with the text.
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<br><br><b>my roarings are poured out like the waters</b>—an image from the rushing sound of water streaming.
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<p id="Job3_25"><b>25. the thing which I...feared is come upon me</b>—In the beginning of his trials, when he heard of the loss of one blessing, he feared the loss of another; and when he heard of the loss of that, he feared the loss of a third.
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<br><br><b>that which I was afraid of is come unto me</b>—namely, the ill opinion of his friends, as though he were a hypocrite on account of his trials.
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<p id="Job3_26"><b>26. I was not in safety...yet trouble came</b>—referring, not to his former state, but to the <i>beginning</i> of his troubles. From that time I had no rest, there was no intermission of sorrows. "And" (not, "yet") a fresh trouble is coming, namely, my friends' suspicion of my being a hypocrite. This gives the starting-point to the whole ensuing controversy.
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